Elm Leaf Inspires the SunGlacier Sculpture

The SunGlacier sculpture essentially finds its origins in the shape of a leaf. I chose this shape because a leaf is the very icon for the transformation of components — powered by the sun: photosynthesis. The SunGlacier leaf sculpture is designed for optimal strength in its asymmetrical aspects. Coincidence or not?  I didn’t even realize that I imitated Mother Nature’s work by designing a leaf that closely resembles the leaf of an elm tree.  

An organizer of an annual festival in Amsterdam, Springsnow,recently contacted me after he noticed the shape design of SunGlacier. In early spring, the canals of the city turn green, and many people think that spring has begun. Well, this may and may not be true… The green color is not from the reflection of overhead leaves, but from the small blossoms of the elm tree, one of the only trees that grow along the canals.  Even UNESCO World Heritage views the elm as an important part of the typical canal architecture.    

 photo by Jolien Glaudemans

As the elm trees lose their blossoms, it seems to starts to snow. Here’s another parallel element of the SunGlacier project design: the warmer the weather, the more ice produced.


Find more info at: www.springsnow.nl 
or enjoy the Amsterdam Elm Walk (press on fat link)

Camouflaged Sculptures and Events

My in-progress sculpture series, Urban Chameleons, features white animal-like sculptures on white walls, stuck like tree frogs on high surfaces. These Urban Chameleons found their inspiration on a trip to the jungles of Costa Rica. You sometimes need to look very closely to see the beauty of nature, because many animals are well camouflaged.

During this trip I asked myself: How many creatures are never discovered because we can’t see them? This is my inspiration, to make a series of sculptures that are camouflaged in our urban settings- spectacular huge sculptures that crawl on the walls, hiding, but also waiting to be discovered. The animals also have human features that signal that we ourselves are also part of nature and part of the delicate balance in our environment.  I intend to have an exhibit later this year of these Urban Chameleons. There will be updates on the location when the remaining sculptures are finished.

Also, SunGlacier project developments are taking place, but the entire story is just a bit too premature to publish at this moment.  It’s actually an exciting time and we plan to announce some interesting news soon. Keep looking closely, because the project has potential to shift shortly into the next gear. 

Urban Chameleons under construction


Visiting Christo

Ap and Christo


There are other people on this planet who dare to think about The Impossible. I had the pleasure of meeting one of my favorite such people last weekend, the artist Christo, and discussing with his team the challenges and possibilities of large, innovative art projects.

Christo’s “Big Air Package” was unveiled in Oberhausen, Germany, last Friday. The exhibit features the world’s largest balloon without support, and is wrapped by the artist.  As one walks inside the balloon, all perspective disappears. Simultaneous feelings of loneliness and joy can easily take hold of emotions while in the vast white balloon interior. Visitors in the balloon are enveloped in an ocean of light, and the feeling is on a scale of the intensity of new impressions that are experienced in childhood.

Inside the “Big Air Package”

At one point, I felt like I was not only standing inside the world’s largest balloon, but also before the world’s largest mirror looking at my own path. I left Big Air, but carried away inspiration from an accomplished fellow artist who also has dreamed and realized the impossible.

Ap and Jonathan, Christo’s manager


The Big Air Package from the outside
An ocean of light

Interview with Christo’s film crew
Lunch with the Christo team 

Trying to Think in Extremes



Photo by Matt Luna


Here in the Netherlands, we are still a long way from the Middle East desert in terms of climate and distance, but this week has seen some record high temperatures. The first week of March normally averages a high of 7 Celsius, or about 46 F, but reports last Tuesday of up to 17 C made it the warmest Dutch March 5th on record.

Mother Nature’s mood swings are getting wilder, and the forecast next week calls for very low “high” temperatures down to 0 C and snow. With weather norms slipping out the window, it’s becoming more difficult to predict exactly what kind of climate we’ll be living in even in the relatively near future.

Exceptional conditions can lead to exceptional thinking about adaptation– even on a simple, personal level: packing sunscreen and scarfs in the same weekend backpack (away from the ski slopes), making Bermuda shorts from wool, equipping a swimming pool in the same month for both aquatics and ice hockey, making ice in a desert…and so on. This unusual thinking also applies to the search for energy. Who knows? Maybe there’s a way to float a kite-type device into the atmosphere to harness energy from the passing space rocks that seem to be coming our way more frequently.


But seriously, try to think beyond the extremes in order to begin believing in the unbelievable, and see where it takes us.

A Week in a Suit

It was an honor to meet Ghunaim S. Alghunaim and Thani S. Al Anizi from Saudi Arabia during meetings and presentations this week to demonstrate more about project SunGlacier. I realized that if you actually live in a country covered with deserts, it is even harder to believe in making a glacier in that landscape – to believe in the impossible –  especially if you experience the world’s most extreme conditions around you on a daily basis. They know how it feels when the wind is blowing with temperatures of 50 degrees Celsius. (122F)  

(L to R) Mr. Alghunaim, Ap Verheggen, Mr. Al Anizi, in attendance of Mr. Alharbi (Aramco Overseas)
photo by Jerzy Frigge


A couple of years ago I travaled through some deserts in the United Arab Emirates and noticed that there was a sort of similarity with my expeditions through the Arctic: A hostile environment for humans, so quiet that you hear your own heart beat above the song of the wind. It’s nearly impossible for me to imagine how cultures adapted and survived in these conditions in ancient times. Fascinating!   

Water-related issues and training people how to manage water is the main subject of UNESCO-IHE. This week I also met with András Szöllösi-Nagy, rector of the institute and Governor of the World Water Council. A meeting between an artist and somebody with the position of András often results in a hurricane of energy and new ideas how to stretch borders on a creative way. It means a lot to me to get support from a good friend.

Feeding Solar Ideas

It was encouraging to take part in discussions this week on how solar energy technology can evolve to remain a relevant energy solution for the future.  The International Trade Fair for Solar Energy in the Benelux held in Ghent, Belgium, provided a welcome opportunity for professionals active in solar technology to come together to make contacts to help propel their businesses. A number of smaller solar technology companies have disappeared in the recent years of financial crisis, but the larger ones that remain are looking to collectively fuel their search for the most effective ways to develop and deliver this energy to consumers.
 

This is needed because there remains a large gap in the present capabilities of solar technology and its ability to deliver widely-used practical applications that can meet larger portions of the world’s energy needs. And in order to keep moving solar power forward as a practical energy source, we need creative solutions to overcome barriers that keep this resource out of the hands of larger percentages of energy users.

Take for instance, a very basic approach that is not so much evolving solar technology itself, but adapting how we use energy that is now available.  Changes in appliance technology (such as lighting, heating and cooling) to work on a non-constant energy supply can bring us a step closer. Reliance on traditional battery technology will become outdated as it is wasteful in comparison to other options, and energy is lost.
 
One of several bright spots at the trade fair discussions was how technology for “energy islands” is becoming more of a reality. Energy islands are completely self-supporting facilities that are not connected to existing energy networks.  They are able to produce electricity on demand to meet needs of public and private installations such as hospitals, farms and family homes. Developments like this can give everyone more food for thought.

Your “bright” ideas?  Readers are invited in the comment section to leave any related information, opinions, links or just plain wild ideas that could inspire others to think and work creatively on solar technology.  After all, solar power is at the heart of SunGlacier, and a major aim of our project is to inspire thoughts, discussions and collaborations that can lead to tangible solutions in adapting to our changing environment.

SunGlacier in the next dimension

For the first time we are in discussion with a serious partner who is interested in the complete realisation of the SunGlacier Art Project. Therefore our highly motivated team is now working on the transfer of our technical testing data into a scientific report and defining the technical borders of our prototype ( scale 1:5 ) Next to that we designed a system that uses the not constant input of solar generated energy into a system that follows the sun as closely as possible. This may indeed prove to be a unique feature of engineering. ( see chapter prototype below )

Prototype

Armed with the results of the ice-production tests the SunGlacier team is currently in the throws of designing a prototype of the sculpture scaled down to an approximate 1 to 5 ratio in size. 
The purpose of that installation is:

        to demonstrate to prospective partners that the SunGlacier proposition of linking sun to ice is indeed feasible, both artistically and technically and also
        to create a firm basis for the engineering of the full scale model that would recognize and meet the prevailing challenges.

The most crucial of these challenges is:
– to move from the controlled environment of the test container to the essentially un-controlled conditions of open-air ice production. In other words, to try the test results in practice. Another challenge for the team is to string all elements of the sculpture, from solar cells to ice-carrying surfaces together into one autonomous and operationally robust installation. Once there, the next challenge is

– to maximize the use of the energy beamed in by the sun at any given time of the day and convert that along this string of elements in the most efficient manner to ”cold” at the workface.

In the course of any day in the life of SunGlacier the ideal clear-sky solar energy curve could be distorted by cloud cover or haze and the ideal curve itself will change in any event, with the seasons. SunGlacier has set itself the task of finding the tightest link between sun and ice and design a process control system that follows the sun as closely as possible. This may indeed prove to be a unique feature of engineering.

Once the prototype is operational, the artist will have the opportunity, together with prospective partners to evaluate the artistic aspect of SunGlacier and the effect it would have on its beholders.

Thus, the prototype is both a demonstration vehicle and a learning device for the SunGlacier team and to that end will be designed with flexibility and equipped with all measurement devices and instrumentation necessary to play those roles. Departing from a successful prototype platform the next step to full scale realization of SunGlacier should be well-controlled and technically low-risk.

New surface designs

Wind is our friend (making water) as well as our enemy (melting ice). Therefore natural solutions are copied from caves and deserts to create an ideal surface for both conditions.
Photo 1:
inspirated by stalactites that are shaped by millions of years equal wind direction.

Photo 2:
inspired by a satellite picture of the Namib desert. All sand dunes have a windy and a calm side.

World Water Forum 6 in Marseille, France

As a Cultural Ambassador of UNESCO-IHE I was invited to WWF6 in France, to present project SunGlacier. Dr. Andras Szoelloesi Nagy, rector of UNESCO-IHE introduced the project in such a way that the audience was completely enthusiastic even before my presentation really started. Art is the perfect tool to give food to interesting discussions! The day before I was part of a panel to discuss Effective Public Awareness Raising Networks. A great initiative of Alida Pham. A week full of highlights and introductions.

Former James Bond girl Famke Janssen made her introduction as an ambassador for the Green Cross organisation. Afterwards we had a good chat together. I am a great fan of her brilliant role in many movies.
Last but not least I wish to thank Jaap Feil and NWP, a great intitiative of the Dutch watersector, for their support at all events.